With this in mind, the process should feel more like this: sample, paint, sample, paint, sample, paint, and so on. Keep in mind that skin is going to have a wide range of tones, even within a similar area. You’ll need to constantly sample new areas of skin, paying close attention to areas of highlight and shadow. If you stick with just a single color of skin tone, the subject’s face will end up looking flat and unrealistic. More concisely: use the Brush Tool to sample colors from the subject’s skin, and then paint over the facial hair. Select the Brush Tool, set it to a low Flow (around 20% if you’re using a pressure-sensitive tablet, 2-5% if you’re using a mouse), hold ALT to sample an area of the subject’s skin near the facial hair, and then begin to carefully paint over the hair near that area. Create a new, blank Layer above the image of the subject. Sample & PaintĪs we said, this is an advanced technique, but the steps involved are actually very simple. Once you master the Brush Tool for this application, it can save you a ton of time while helping you solve a wide variety of problems that might pop up during future edits. Take your time and give yourself some space to get comfortable with the process. Using the Brush Tool to remove facial hair is an advanced technique that will require a little extra time and care, especially the first few times you try it. The Brush Tool is equal parts powerful and versatile and, if you haven’t had the chance to take a deep-dive into what it can do, we recommend checking out our PRO course The Amazing Power of the Brush Tool in Photoshop. Notice how the Spot Healing Brush creates blotchiness and discoloration? This is where the Brush Tool comes in. But since we’re working with skin, we need a tool that will give us more control and the ability to replicate the natural highlights and shadows that fall on our subject’s face. We just mentioned the Spot Healing Brush, which is a great automated tool for removing objects and distractions from surfaces without much detail. The problem with removing facial hair isn’t getting the hair out of the way, it’s making sure we don’t damage or remove the skin texture from the subject’s face. Tools like the Spot Healing Brush make short work of it in most cases. Working with Facial Hair & Skin in Photoshopįacial hair is tricky to remove, but the reason why might not be obvious.
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